PUSHPAMALA N “Return of the Phantom Lady” (Sinful City) About the work: From 1996 to ’98, Pushpamala created Phantom Lady or Kismet, the artist’s first “photo-performance” work comprised of 25 black-and-white prints. Sometimes, Pushpamala N draws directly from cinema: “Phantom Lady” is based on Fearless Nadia, a masked, caped stuntwoman and film star from the 1930s. ‘A blue-eyed blonde in Bollywood’ by Steve Dow, The Age. Phantom Lady or Kismet, a photo- romance, Gallery Chemould, Mumbai And at the artist’s studio, Bangalore 1994 Excavations, sculpture/ installation, Gallery Chemould, Mumbai 1983 Pushpamala N, sculptures, Venkatappa Art Gallery, Bangalore. Contact +91 98865 99675 bic@bangaloreinternationalcentre.org. Billed as a Photo Romance and shot in the film noir style, the thriller starred Pushpamala as not only the Phantom Lady but also her doppelganger, the lost twin sister The Vamp. Phantom Lady and Sunhere Sapne, Walsh Gallery, Chicago, USA The Anguished Heart, Nature Morte and Gallery Chemould, at British Council, Delhi, India 2002 Golden Dreams, Gallery Sumukha, Bangalore, India 2001 Golden Dreams, Gallery Chemould, Mumbai, India 1998 Phantom Lady or Kismet, a photo romance, Gallery Chemould, Mumbai, and at the artist's studio, Bangalore, India 1994 Excavations, Gallery … Share. Phantom Lady #14 by N. Pushpamala For Sale at www.kunzt.gallery listed on Printed Editions. It seeks to bridge art and community and serve as a catalyst for greater public exposure to the important cultural history of the visual arts in the country. The online show Living the New Normal has been curated by Arshiya Mansoor Lokhandwala and is supported by MASH India, a digital platform founded by collector and philanthropist Shalini Passi. Elaborating on the leitmotif running through the works, Passi says. Pushpamala N., Phantom Lady or Kismet, 1996-98, Black and white photographs, Selenium toned silver gelatine, 16 x 20”. Phantom Lady or Kismet, a photo- romance, Gallery Chemould, Mumbai And at the artist’s studio, Bangalore 1994 Excavations, sculpture/ installation, Gallery Chemould, Mumbai 1983 Pushpamala N, sculptures, Venkatappa Art Gallery, Bangalore. Skip to main content. N. PUSHPAMALA (Born in 1956, Indian) Dared-e-Dil (The Anguished Heart) #3 ... Indian Lady, April 2004 - May 2004. MASH webinar with Pushpamala N as she speaks about the making of the "Return of Phantom Lady" hosted by Dr Arshiya Lokhandwala & Shalini Passi. The four photographic series had links to cinematic conventions of South Asia. Seek an Artwork by N. Pushpamala. Learn about the artist and see available works for sale. Pushpamala N conceived ‘Paris Autumn’ (2006), an experimental film, during a residency in Paris. Pushpamala N., Phantom Lady or Kismet, 1996-98, Black and white photographs, Selenium toned silver gelatine, 16 x 20”. 6 November – 6 December 2012. Auction Closed. She attended Bangalore University from 1976-77, where she studied under Balan Nambiar and then studied Sculpture at the Faculty of Fine Arts, MS University, Baroda. Pushpamala N is a photo, video, installation and performance artist, sculptor, writer and curator, who lives and works in Bangalore India. This event is over. Drawing attention to the constructed nature of the image, Pushpamala reenacts historical representations of women in order to subvert them; in one series she embodies the seven moods … The work acquired a cult status and has been exhibited all over the world, prompting … The Native Types - Flirting, 2006. Phantom Lady #14, 1996-1998. It is a musical/acrobatic dance tribute to silent-era film legend – Mary Ann Evans – a Perth-born circus … Delhi, British Council, The Anguished Heart, October-November 2003. C-Print. Satirical, witty, she has over the years created situations and recreated some iconic images popularised by Indian culture. @pushpamalan @shalini.passi @lakeeren @arshiyalokhandwala @naturemorte_delhi @aparajita_jain . The series ‘Phantom Lady or Kismet’ (1996-98), inspired by actor Nadia’s role in the 1935 film Hunterwali, was shot in film-noir style, with Pushpamala masked and caped, rescuing an orphaned schoolgirl. EUR 4,100. N. Pushpamala is one of Karnataka’s most creative minds in whom many streams – literature, music, photography, theatre – culminate. … Pushpamala N, Return of the Phantom Lady (Sinful City) No 7, 2012. Born in Bangalore, 1956, Pushpamala N has been called “the most entertaining artist-iconoclast of contemporary Indian art”. EUR 3,500. View Pushpamala N.’s artworks on artnet. Filter by auction house, media and more. Here it is, warts and all … Giclée prints on Harman Gloss Baryta paper, %3Cdiv%20class%3D%22artist%22%3EPushpamala%20N%3C/div%3E%3Cdiv%20class%3D%22title_and_year%22%3E%3Cspan%20class%3D%22title_and_year_title%22%3EReturn%20of%20the%20Phantom%20Lady%20%28Sinful%20City%29%3A%20A%20Photo-Romance%20%3C/span%3E%2C%20%3Cspan%20class%3D%22title_and_year_year%22%3E2012%3C/span%3E%3C/div%3E%3Cdiv%20class%3D%22medium%22%3EGicl%C3%A9e%20prints%20on%20Harman%20Gloss%20Baryta%20paper%20%3C/div%3E%3Cdiv%20class%3D%22dimensions%22%3ESet%20of%2021%20photographs%3Cbr/%3E%0A20%20x%2030%20inches%3Cbr/%3E%0A50.8%20x%2076.2%20cm%3C/div%3E. The masked character is based on one played by a popular stunt film star of 1930s Hindi films called Fearless Nadia [born Mary Ann Evans (1908–1996), she first became famous for her film ‘Hunterwali’ (woman with a whip) released in 1935.] Sometimes, Pushpamala N draws directly from cinema: “Phantom Lady” is based on Fearless Nadia, a masked, caped stuntwoman and film star from the 1930s. . Recommended features C-Print. National Gallery of Modern Art Mumbai. Click Here to View more. Pushpamala N, Return of the Phantom Lady ( Sinful City)No 8, 2012. A photo-romance Shot in Mumbai 21 colour photographs image size 20×30 inches. Billed as a Photo Romance and shot in the film noir style, the thriller starred Pushpamala as not only the Phantom Lady but also her doppelganger, the lost twin sister The Vamp. Much later when she began focussing on performance photography and … 1 March – 20 April 2013. The Harcourt Set (2009) In collaboration with Studio Harcourt Paris Commissioned by the Centre Pompidou, Paris 3 photographs of varying sizes. View all results for. Billed as a Photo Romance and shot in the film noir style, the thriller starred Pushpamala as not only the Phantom Lady but also her doppelganger, the lost twin sister The Vamp. “I call them photo romances because they can be … N. Pushpamala. Pushpamala N. The ethnographic series (set of 45), 2000–2004 Sale Date: June 10, 2010. EUR 3,500. From her first photographic series, Phantom Lady or Kismet: A Photoromance (1996-1998), to her reflection on the colonial world with her “anthropological” shots from Native Women of South India: Manners and Customs (2000-2004), she constantly summons the Indian collective memory to denounce cultural stereotypes whose codes she modifies and critiques through a meticulous practice of staging … However, time travel possible through our Audio & Video. Available for sale from Kunzt Gallery, Pushpamala N., Phantom Lady #22, Gelatin Silver Print, 52 × 43 cm ‘I can try,’ she finally sighs, and in we dive back to the beginnings of being the Phantom Lady of contemporary Indian performance art – of assuming all the roles she desired in times that the only one for a woman was precisely that - of a woman. The Museum of Art & Photography’s (MAP) mission is to build, manage and sustain a new museum to exhibit, interpret and preserve a growing collection of art and cultural artefacts, motivated by a belief that museums should play a positive role in society. The series ‘Phantom Lady or Kismet’ (1996-98), inspired by actor Nadia’s role in the 1935 film Hunterwali, was shot in film-noir style, with Pushpamala masked and caped, rescuing an orphaned schoolgirl. From 1996 to 1998 Pushpamala created Phantom Lady or Kismet, the artist’s first “photo-performance” work comprised of 25 black-and-white prints. I do different … Don’t miss the chance of meeting Pushpamala N as Phantom Lady - Live Sunday @ 11 am. If you are looking for a particular piece by N. Pushpamala, tell us what it is and we will … The Phantom Lady Strikes Again I found this old unpublished essay from 1998, written after one of those hot discussions with friends, discussing many things still of interest today. N. Pushpamala. From 1996 to 1998 Pushpamala created Phantom Lady or Kismet, the artist’s first “photo-performance” work comprised of 25 black-and-white prints. Access more artwork lots and estimated & realized auction prices on MutualArt. ''Phantom Lady, or Kismet'' (1996-98) is a takeoff on Indian pop films about the exploits of a superheroine named Nadia, who here wears Zorro-esque attire to rescue a vampy younger sister from underworld embroilment. Find an in-depth biography, exhibitions, original artworks for sale, the latest news, and sold auction prices. Native Women of South India: Manners and Customs (2004) A photo-performance … If you are looking for a particular piece by N. Pushpamala, tell us what it is and we will … Thursday Thu, 5 Mar 2020. Chemould Prescott Road Mumbai. EUR 4,100. Categories. EUR 3,500. But they are all stories. In her strongly feminist and subversive work and  her collaborations with photographers, writers, theatre directors and film makers, the artist seeks to intervene in the dominant cultural and intellectual discourse. She completed her Bachelors and then her Masters degree in 1985. Phantom Lady or Kismet, a photo romance, Gallery Chemould, Mumbai, and at the artist's studio, Bangalore, India 1994 Excavations, Gallery Chemould, Mumbai, India ... Pushpamala N. and Alex Mathew, Venkatappa Art Gallery, Bangalore, and at CMC Gallery, New Delhi and … Bangalore International Centre 7, 4th Main Road, Domlur II Stage Bengaluru, Karnataka 560 071 India View Map. You can unsubscribe or change your preferences at any time by clicking the link in our emails. Photography. Project Cinema City Curated by Madhushree Dutta and Archana Hande 2012. Pushpamala N. Native women of South India: Manners and..., 2006 Sale Date: November 30, 2010. N. Pushpamala is one of Karnataka’s most creative minds in whom many streams – literature, music, photography, theatre – culminate. Monday, 25 April 2016. Pushpamala N returns with another edition of Phantom Lady, her photo-performance series shot noir-style. Phantom Lady #22, 1996-1998. Photography. Her work is often polemical, looking at the idea of the nation-state in an age of globalized neo-liberalism and using the idea of cultural memory to explore history and contemporary society with irony and wit. I do work with video as well, but I love composing still photographs because of the … Gelatin Silver Print. Humour, wit and subversion in Feminist Art. N. Pushpamala. On the occasion of Women’s History Month, the Museum of Art & Photography in collaboration with the Bangalore International Centre is hosting a special edition of its lecture series called ‘Women in Art & Culture’ by four Indian women prominent in their respective fields. In the sequel, Return of the Phantom Lady (Sinful City) (2012), … Recently, she was the Artistic Director of the Chennai Photo Biennale 2019. Born: 1956 () Bengaluru, India. Chicago, Walsh Gallery, Phantom Lady and Sunhere Sapne, 2003. She lives in Bangalore, India. Billed as a Photo Romance and shot in the film noir style, the thriller starred Pushpamala as not only the Phantom Lady but also her doppelganger, the lost twin sister The Vamp. In her strongly feminist and subversive work and her collaborations with photographers, writers, theatre directors and film makers, the artist seeks to intervene in the dominant cultural and intellectual discourse. Pushpamala N. (born 1956) is a photo and visual artist based in Bangalore, India. View Phantom Lady #14 (1996 - 1998) By Pushpamala N.; silver gelatin print; 52 x 43 cm; Signed; . Galerie Zurcher Paris. Photography. View Phantom lady no.14 another 2 works by Pushpamala N. on artnet. From 1996 to 1998 Pushpamala created Phantom Lady or Kismet, the artist’s first “photo-performance” work comprised of 25 black-and-white prints. The online show Living the New Normal has been curated by Arshiya Mansoor Lokhandwala and is supported by MASH India, a digital platform … “I was very interested in 19th and early 20th century history and photography, including the painted photographs, portrait photography. View artworks for sale by N., Pushpamala Pushpamala N. (24, Indian). The Native Types - Flirting, 2006. View and collect fine art from leading galleries and art dealers. TAKE - Photography I Issue 17 I . Authors; Librarians; Editors; Societies Phantom Lady #22, 1996-1998. For example, in the exhibition, she is the frightened Draupadi, facing the threat of the rape by a … Born in Bangalore, Pushpamala formally trained as a sculptor and eventually shifted to photography to explore her interest in narrative figuration. In Phantom Lady, Pushpamala dressed up as a character that was clearly inspired by the masked adventuress in the 1935 film, Hunterwali, played Fearless Nadira. Known for her deceptively simple feminist works, most famously the “film noir style” Phantom Lady photo-performance, Pushpamala places herself at the centre of the social and political inquiry in the current show, by acting out multiple roles that have historical significance and contemporary relevance. How did ‘Phantom Lady’ come about? Her first photo-romance Phantom Lady or Kismet, in which she played the two protagonists, is a deliberately excessive, even burlesque, revisitation of a popular genre of films from pre-Independence India, recalling the stunt pictures of Wadia Movietone, featuring Fearless Nadia - the “Hunterwali". Date & Time. From the series Phantom Lady or Kismet, 1996-98. ‘Phantom Lady or Kismet’ was a cryptic takeoff on Indian pop films about the exploits of Nadia, an eternal super heroine. Photo- and video-performance artist Pushpamala N. plays the subject in images that critique female stereotypes in India and the reductive classifications furthered by ethnographic documentation. Buy Phantom Lady #14 artwork by Pushpamala N. on Widewalls. ''Phantom Lady, or Kismet'' (1996-98) is a takeoff on Indian pop films about the exploits of a superheroine named Nadia, who here wears Zorro-esque attire to rescue a vampy … Delhi. Pushpamala N was born in Bangalore. Starting out as a sculptor with an interest in narrative figuration, Pushpamala N eventually took to casting her own body as various characters and personae in the medium of photo-performance. Gender; Location. Phantom Lady #22 by N. Pushpamala, 1996-1998 - Photography (Gelatin Silver Print) available for sale at great prices - Buy and sell artworks on kunzt.gallery Elements of theatrical impulses incorporated in her photography and sculptures. Mar 1, 2017 - 'Performance photographer' Pushpamala N curates her own retrospective photo essay. Gelatin Silver Print. Pushpamala's early photographic series are closely linked with South Asian cinematic conventions. She completed her Bachelors and then her Masters degree in 1985. Elements of theatrical impulses incorporated in her photography and sculptures. Pushpamala has been referred to as "the most entertaining artist-iconoclast of contemporary Indian art ". We will process the personal data you have supplied in accordance with our privacy policy (available on request). Often finding herself on the opposite side of the lens than most of I wasn’t part of the world that was associated with photojournalism and … At Melbourne’s ACMI, a forthcoming production called ‘Fearless Nadia’ will be performed on October 13th as part of the Melbourne International Festival. Phantom Lady #22 by N. Pushpamala For Sale at www.kunzt.gallery listed on Printed Editions. Search Browse; Resources. Auction Closed. Photography. She attended Bangalore University from 1976-77, where she studied under Balan Nambiar and then studied Sculpture at the Faculty of Fine Arts, MS University, Baroda. Pushpamala N. (born 1956) is a photo and visual artist based in Bangalore, India. Pushpamala has a particular fondness for nostalgia and vintage cinema has inspired some of her finest work in the past, like Phantom Lady and Sunehre Sapne. 3 November 2012. Phantom Lady #14, 1996-1998. Pushpamala was initially trained as a sculptor and began her career likewise. However, when on a yacht (the Phantom Lady) taking them away from London, Alex's cover is blown by Sykes (ripping. The Return of the Phantom Lady (Sinful City) 23 September – 2 November 2012. Pushpamala N. Artist. Pushpamala N is a photo, video, installation and performance artist, sculptor, writer and curator, who lives and works in Bangalore India. Not only was it a homage to silent film characters like Hunterwali, it also engaged the present by locating … Pushpamala N trails off as I listen and ask her if there’s a ten-minute break she can take from herself, into herself. From the series Phantom Lady or Kismet – A Photoromance by Pushpamala N. Click Here to View more. A talk by Pushpamala N. Artist. The thriller starred Pushpamala as not only the Phantom Lady but also her doppelganger, the lost twin sister The Vamp, alongside interesting cameos by artist Atul Dodiya and the curator Lokhandwala! Pushpamala N trails off as I listen and ask her if there’s a ten-minute break she can take from herself, into herself. Pushpamala N was born in Bangalore. Share to Twitter Share to Facebook Share to Pinterest. Pushpamala is presenting ‘Return of the Phantom Lady’ as part of an online exhibition, titled ‘Living the New Normal’, on Shalini Passi’s MASH India, that explores the photographic work of five women artists – Anita Dube, Prajakta Potnis, Mithu Sen and Shilpa Gupta, besides Pushpamala. Define your practice as you see it. Gelatin Silver Print. Humour, wit and subversion in Feminist Art. Created and conceived by Pushpamala N Photography: Clay Kelton Cast: Pushpamala N, Kattayayani Joag, Atul Dodiya, Tushar Joag, Arshiya Lokhandwala, George Jose, Ranchodbhai Tank The Return of the Phantom Lady forms a sequel to the Phantom Lady or Kismet ( 1996-98), the cult black and white thriller, shot in the style of film-noir style and exhibited as a photo-romance, in which the artist plays a dual … Pushpamala N returns with another edition of Phantom Lady, her photo-performance series shot noir-style. View and collect fine art from leading galleries and art dealers. Notable visual artist, writer and curator, Pushpamala N. talks on what being a woman artist has meant while exploring histories and ideas of feminist art and what these labels mean. Her work has been collected by major museums around the world. Women in Art 1- Chronicles of the Phantom Lady. Facebook; … Known for her deceptively simple feminist works, most famously the “film noir style” Phantom Lady photo-performance, Pushpamala places herself at the centre of the social and political inquiry in the current show, by acting out multiple roles that have historical significance and contemporary relevance. Pushpamala N (born in 1965) is a Bangalore based photography and video performance artist. Satirical, witty, she has over the years created situations and recreated some iconic images popularised by Indian culture. The four photographic series in the show have links to South Asian cinematic conventions. "The world stands … N. Pushpamala. Pushpamala made her first series of what she calls ‘Photo Romances’ back in 1996 titled Phantom Lady or Kismet. Pushpamala’s work has been shown in important shows such as the Kochi Biennale 2014, Prospect 3 New Orleans, the First Johannesburg Biennale, Photo Espana Madrid, Ikono On Air Festival and at institutions including the Tate Modern and Saatchi Art Gallery London, Centre Pompidou Paris, Seattle Museum, Walker Art Centre and Art Institute of Chicago USA; Royal Ontario Museum Toronto, Museo Tamayo Mexico, Photomuseum Winterthur Switzerland, Caixaforum Barcelona, IVAM Museum Valencia, Spain, MAXXI Museum Rome, Mori Art Museum Tokyo, National Museum of Modern Art Korea, National Portrait Gallery Canberra and Devi Art Foundation and NGMA India. MENU. Pushpamala N began her career as a sculptor before turning to photo and video performances. Photography. Pushpamala N. Pushpamala N. during Khoj Live, 2012. ‘The phantom lady strikes!‘ by Pushpamala N, Thesis Eleven. What stood out amongst them was a photo collage by Bangalore-based artist Pushpamala N. titled ‘Return of the Phantom Lady of Sinful City.’ This photo-romance depicted the journey of Phantom Lady, an imaginary construct much like Gabbar Singh, rescuing a girl from the land mafia of Mumbai. Bangalore. ‘Phantom Lady or Kismet’ was a cryptic takeoff on Indian pop films about the exploits of Nadia, an eternal super heroine. Live Sunday @ 11 am City Curated by Madhushree Dutta and Archana Hande 2012 in 19th and early 20th history! You can unsubscribe or change your preferences at any time by clicking the in! N as Phantom Lady or Kismet, 1996-98 series Phantom Lady or Kismet 1996-98. The ethnographic series ( Set of 45 ), 2000–2004 Sale Date: June 10, 2010 Steve!: Manners and..., 2006 Sale Date: November 30, 2010 ( Set of 45,... 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