Something else I loved-how the relationships with the parents are not embellished but appear in all their errors, rough edges and tenderness. Anna has to give up her nanny and she and her little brother François (Benjamin Feuillet) are minded by political refugees, first one from Greece, then one from Vietnam. | There is one scene about halfway through the film in which a character - a child - sees the protagonists' father naked, although the film shows nothing but underwear. Gavras' film revolves around nine-year-old Anna (Nina Kervel) and her well-off bourgeois family living in France. Whose fault is it anyway?. Her trials are not major and she handles them without major drama. But she's a natural free-thinker (though not yet a rebel), which causes her to question authority on both sides of the political divide. Yes, blame it on Julie Gavras for making one of the most boring and clichéd films ever to concern childhood. She is admirably stubborn and independent. What to Watch Latest Trailers IMDb TV IMDb Originals IMDb Picks IMDb Podcasts. Free shipping. The family of Anna DelaMesa come from bourgeois backgrounds. The effect of a rise in consciousness on the part of Anna's (Nina Kervel-Bey) parents, played by Julie Depardieu and Stefano Accorsi on the family is examined with humor. Synopsis: A 9-year-old girl weathers big changes in her household as her parents become radical political activists in 1970-71 Paris. should appeal to a diverse group of viewers. 1,99 - Um Supermercado Que Vende Palavras. It is a wonderful psychological and political film which shows the faulty lines when a children / adults starts thinking radical and are traumatized by the horrid world we live in. It reminded me a bit of Pan's Labyrinth in that way, i.e. It is much more exciting than just that in that it examines thoroughly the pros and the cons of leftist involvement, mainly its negative repercussions on family life. In a manner typical to many French films, Blame it on Fidel! She is intelligent, but not freakily precocious. The scars will never heal. Filmography Anna de la Mesa is a young girl, a daughter to wealthy parents and grandparents, whose parents become communists and politically active in the 70's. A wonderful family drama with a political edge. They move from a large house to a small flat, always full with activists, and all the princess-like reality is shattered. Gavras's direction of the child as adult and the adults often childish is pitch perfect. By all means watch it for Nina K-B's performance, but bring some perfumed smelling salts both to wake yourself up from the toxic dose of Marxism and douse the stink of leftist sanctimony. Please try again later. (Blame It on Fidel!). This is an exciting film from Julie Gavras, the daughter of Oscar winning writer/director Costa-Gavras (Missing, Z). Gives me personally a perspective on a time, where I, myself being 10-12 years old like Anna, the main character, only sensed the 'strange' music and colorful clothing. Synopsis Atishoo! As Anna goes, so goes France! The movie is set in a time when abortion is illegal, and the protagonist's mother, once back from a trip abroad, takes it on as a personal mission to write a book about the injustices the anti-abortion law has caused to individuals in her community. Read Full Synopsis Cast + Crew Previous Cast Members More Cast Members. Sometimes funny, other times dramatic, even tragic, but throughout well-conducted and subtly inspired. Since 1960-70's nothing much have changed for the betterment of the world - except there is more destruction, exploitation, farce, faking, cheating, mental disorders, blind chase for success... and much more La faute a Fidel! Different costumers shop in a supermarket that sells words and ideas. We were unable to submit your evaluation. So amazed by how they are that I don't feel like saying more on the movie in general. Predictably, Rotten Tomatoes gives it a high rating, generally seeing it as a charming French comedy of manners, etc, etc. The death compels Anna's parents to readdress their political complacency causing Fernando to become part of the active opposition to Francisco Franco (of Spain) and Salvador Allende (of Chile). If you remember being a child confused about the 'grown ups' around you, then this film is worth watching. she must adjust to refugee nannies, international cuisine and a cramped apartment fully of noisy revolutionaries. Blame it on Fidel is a charming comedy of manners, class, and politics, elevated by a remarkable performance from lead child actor Nina Kervel. In addition to directing, Julie Gavras also collaborated with Arnaud Cathrine on the script which they adapted from a novel by Italian novelist Domitilla Calamai. Movies Like Blame It on Fidel! The film tells the story of a privileged nine year old named Anna, who lives in a huge house with her middle class parents and younger brother. The screenplay, written by Gavras, is based on Domitilla Calamai's Italian novel of the same name. The emphasis is far more on the child's intellectual development than on "political trauma." Oscars Best Picture Winners Best Picture Winners Golden Globes Emmys San Diego Comic-Con New York Comic-Con Sundance Film Festival Toronto Int'l Film … It is then, surprising, the path both decided to follow politically. Her little brother is captivating-funny, sweet and smart, and there's a brief moment where you see how she crosses the line to finally seeing him. The director is Costa Gavras's daughter, and the mother is played by Julie Depardieu-Gerard's daughter. The era of late sixties and early seventies saw great upheaval in the world - Black revolution in USA, Israel-Palestine conflict - the Gypsy movement, Liberation movement, The Beatles... and French uprising supporting communism. This movie is subtle, well made and undoubtedly good for your soul, like broccoli. AKA: Blame It on Fidel, Blame It on Fidel!. In this movie, a young girl's parents start moving in radical circles; and as this means giving up some of her privileges, she doesn't like it. Directed By: Julie Gavras January 21, 2006 / French / 96 mins A 9-year-old girl weathers big changes in her household as her parents become radical political activists in 1970-71 Paris. Blame it On Fidel IMDb 7.5 2007 PG-13 A 9-year-old girl weathers big changes in her household as her parents become radical political activists in 1970-71 Paris. "In any given festival," A.O. is a film directed by Julie Gavras with Nina Kervel-Bey, Julie Depardieu, Stefano Accorsi, Benjamin Feuillet, Martine Chevallier .... Year: 2006. This movie does not make that error. But be reassured "La faute à Fidel", her first fiction film (coming after a pair of interesting documentaries) isn't a carbon copy of a Costa Gavras movie in any way. There are no easy answers found here, because all of us want to do good and show that we too want to save the world - but the movie stands and presents to us - the gory reminder of what this obsession of saving humanity can do to one's true self and innocence - by just getting lost in going with the flow of events around us. Similar. It is a blessing that "Blame It on Fidel" doesn't pull back to answer such questions, but focuses resolutely on the world as seen through 9-year-old eyes. A wonderful performance from child actress Nina Kervel-Bey cannot redeem this movie's cinematic sin of purveying blatant leftist propaganda. There is no fantasy here. In a dialogue the father says to Anna "This is for your own good" and we turn our head in total disagreement. Consequently Anna's life is transformed and this is demonstrated through her constant bewilderment, intellectual expansion and amusing misinterpretations. The multi-talented Julie Gavras (Actress, Writer, Cinematographer, Editor, Sound recordist, etc - who has worked in many departments of movie-making)- debuts with this feature film. BLAME IT ON FIDEL! Anna clearly wants to understand what's going on. Hard social facts are faced from the perspective of a little and very smart and inquiring child, although there's no violent scene on the movie the political tension is well expressed by the parents and friends, to the very confussion of the girl.. i don't remember her name, but her performance is outstanding, its very interesting how she interchange her wasys from childish feelings and behavour to thoughtful and even worried attitudes, being all the time very credible, the picture has a sad background, but the bright of the girl as the protagonist gives the element of hope, being the picture not sad but quite interesting and rich, with a lot of joyful funny moments. A 9-year-old girl weathers big changes in her household as her parents become radical political activists in 1970-71 Paris. At the insistence of Fernando, who's become liaison in France for Chilean activists, Anna is taken out of Divinity class at her private Catholic school. Her part is quite unusual. This movie opens up little awareness in us of looking at life around us with a different lens and perspective- more as a witness rather than being selfishly clever in going by the flow. | Julie Gravas updates the style of her father for a new age, treating austerely political repression and social innovation which served the interest of many at the cost of harming most. I'm not going to pretend that I'm interested particularly in the politics of the period in question, nor the period itself, for that matter. [La faute à Fidel!] | Situated mostly in Paris during the early 1970s and among the aftermath of the collapse of the De Gaulle government, the film tells of a change of prosperity that occurs after the death of her father's, (Fernando; Stefano Accorsi), brother-in-law. On the contrary, it runs like a Maoist 'short' showing proto-proletarian little Anna's progress from snotty rich kid to caring-sharing Communist wunderkind. Blame It on Fidel (2006) Synopsis. Blame it on Fidel. It's not a story of a changing family (life); it's rather the display of a huge load on the shoulders of a little girl. It is nothing of the kind. In the end, Anna has lost all her innocence, and missed her childhood. She wrote the script, based on a novel by Domitilla Calamai, and directed what seems like an honest film with depth. Good movie, well-balanced, on a dark period for many Western countries, including Brazil. What makes this fine film unique is the child's stance on the adult politics: what may seem like exciting challenges for change of an existing corrupt system for the adults may indeed be an unwanted rearrangement of the wants and needs of children whose political acumen is less advanced than the need for order and consistency in everyday life. Feeling an obligation to follow up and contribute in the overturn of the dictatorships in Spain and Chile. 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