The artist wrestles with the public criticism and online hatred she receives, but sings: “Oh Maria, I’m saying this for you/ Why are you trying so hard? They understand something that should be taught in schools around the world: busting your ass should be supplemented with time spent shaking it. It was the wrong year to be young and in love in 2020, but at least we had WOODZ to keep us company. The dark and slightly sensual concept showed a completely different side of the group and they devoured the track. This mature message successfully connected with a large audience, and “Dumhdurum” became a knockout success in both Korea (topping all local music charts) and the, charts (tying for their longest-running hit on. And can you really blame those of us who do? Like Dua Lipa and Lady Gaga, Twice were hip to electro bass lines this year in “I CAN’T STOP ME.” The girl group bask in the elastic, strobing synth that pulses under the glamorous nu-disco track, and it snaps into formation come the chorus. The bridge, with its crystalline synths and swooping bass swells, is an unanticipated moment of composed cool -- they can share their many sides on the Internet, but they’re always gonna be themselves. With … But where The Weeknd’s work is chilling and sinister in its search for love, EVERGLOW’s is a spry kiss-off to all the haters, the bad guys, and the players. And whereas these songs focused on feeling lost and facing temptations as their respective titles suggest, the final track on this album, “Wheel of the Year,” is about trusting the heart’s compass as one runs toward an unknown destination. DREAMCATCHER has taken an unconventional path and carved a niche with rock at the core of the group’s musical identity. -- M.M. “Destroy me more,” he says, as he embraces the alternate version of himself -- the Mr. Hyde to his Dr. Jekyll -- despite knowing full well that it might just be the beginning of the end. As cohesive as it is musically, its magic lies in how perfectly it fits into the ethos of. If the chorus seems like the most grandiose thing the group has ever done, it’s only because they’re trying to match the larger-than-life scale of their overflowing feelings. * The request timed out and you did not successfully sign up. Matured, musical magic awaits. -- RYO MIYAUCHI, 16. Twice fight to keep cool, though it’s hard to notice when they nail such a spotless performance. On “Back Door,” Stray Kids tighten their production without eschewing any exuberance, transforming their signature bombastic EDM into something more sophisticated. Let’s find out if your favorite song is in this chart. On “Want,” he dangles the decadent, sinful result of physical attraction like an unattainable fruit. And yet, for all the satisfaction these new forms brought with them, the music remains the heart of this global phenomenon. Look: we all know how this year went, so to be told once again of all the tragedies and horrors that plagued it is the last thing anyone needs. -- J.B. Songs Released in January 2020! Their cockiness peaks in the chorus, which doubles as a taunt and a mantra: "Be hotter/ Beyond the control,” they sing like a drill instructor. Peppered with pangs of melancholy to root it in the grim reality of 2020, the track has feel-good guitar riffs and romantic lyrics of a “purple-hued night” to create the dreamy sonic getaway we all need even if we’re quarantined at home. September was packed with so many comebacks and October immediately began with a surplus of comebacks as well. Stray Kids’ adherence to their “more is more” M.O. To be eligible for this top 50 list,… Ever since their cheerleader romp of a debut, they’ve encouraged uncompromising self-love by modeling it themselves -- their brand of girl crush is less the confident scoff of BLACKPINK’s “Look at you, now look at me” and more “Look to me, now look at you!” On “Wannabe,” they invite us again to dance, gilding a shapeshifting electro-pop beat and 2000s guitar-pop chugs with whimsical flourishes: flexatones, DJ scratches, the crank of a winding key. Instead of believing in fairy tales and waiting for a Prince Charming, their only love are the images of themselves smiling in the mirror. This is just my opinion, disregarding popularity and just going by the quality of the song. Post navigation. Amidst airy promises from his lover is the dreary prospect of being left alone, but he approaches this mixed-messaging with a refreshing candor. In our own whirlpools of flirting and call backs, IG-reels and missed messages, “BUMP BUMP” was comfortingly straightforward -- with WOODZ relaying what he wants, exactly how he wants it. The other additions, which include both group songs and sub-unit releases that create more space to highlight each member’s vocal color, see a narrative weaved across cutting off old ties (“Ex,” “B Me”) and strengthening new bonds (“My Universe.”), While the fierce and bold girl crush image has become increasingly popular in K-pop, IZ*ONE has stayed unapologetically sweet and cute. news. Using the title as a metaphor -- to represent both the one-of-a-kind phenomenon they are and the 2010 movie where a ballerina makes the ultimate sacrifice for her art -- the superstar septet investigates their underlying anxieties until declaring they won’t let fear win over passion in the end. Sweet tunes, dulcet harmonies and tender falsettos abound in songs that range from bouncy electro-pop jams (“Love U,” “Someone’s Someone”) to gentle, synth-infused ballads (“She’s the One,” “Misbehave”). The song showcased a naughty side of the members through the lyrics. “Get out of all the boring rules.” If “Cool” sounds standoffish, then the song succeeds at what it sets out to do. -- L.S. Musical Crossword - Bands 241; One-Word Album Covers (A-Z) 136 KPOP LOGIC QUIZ 122; Kpop Venn Diagram 3 102; Figure out the lyrics: Mjolner, Hammer of Thor 98; Figure out the lyrics: The Call of the Mountains 97; Figure out the lyrics: Higher and higher 97; K-Pop Pick 5: JYP Group Songs 83; Category Crossword (Music) II 73; Musical Crossword - Bands (Encore) 72 A successful pastiche of the ’80s that’s crafted by producer Ollipop, “LA DI DA” blends myriad influences: the layered cheerleader chants of Toni Basil's “Mickey,” the spunky girl power of Cyndi Lauper and the Go-Go's, the na-na-nas of Bananarama, and above all, the shimmering synth-pop sound that permeated the top half of that decade. By EliMarie October 14, 2020 October 14, 2020. Comments. “LEFT & RIGHT” is so exuberant that every sound -- from doorbell chimes to 808 cowbells, organ synth riffs to full-bodied brass -- bursts forth like aural confetti. you can check out my other videos! But “Dumhdurum” didn’t just leave a mark for its electronic production. There’s something bewitching about Taemin’s voice. Top 20 Kpop songs of 2020 voted by international fans: BTS and BLACKPINK are not the winners. As always, we'll kick off with the big one: The Bias List's top 50 songs of the year! “Oh that would be my first death I been always afraid of.”. Listen to these songs as a Spotify playlist.Check out our 20 best tracks of 2020 list and our 20 best albums list. gave it a much needed makeover. Orpheus and Eurydice? Throughout 13 tracks grounded in the artists’ rich vocals, they blend this rock sound with different influences including EDM (“Scream”), Latin (“Red Sun”) and R&B (“Daybreak”). Next Article January 2, 2021: Ringing in the New Year Japan-style! All Rights Reserved. By the time it ends, you honestly wonder whether giving in would be so bad. Play on Spotify. amidst of this pandemic that we're facing right now, these idols continued producing such a great songs for us to enjoy and to make us feel better. Dreamy, gloomy hip-hop soundscapes lay the backdrop for the chart-toppers to open up about their darkest fears: that they may one day fall out of love with music. Could Amsterdam's New Economic Theory Replace Capitalism? Their story about a fateful connection written in the stars unreels in literal terms as they liken each other to celestial bodies, measuring their love in galactic proportions. Instead of believing in fairy tales and waiting for a Prince Charming, their only love are the images of themselves smiling in the mirror. Nine years into their career, Apink are still more than equipped to bring their A-Game, and that deserves larger recognition all in itself for the industry to pay equal attention to both its senior and developing artists. For their first comeback in two years, APRIL play the enchanting lead roles of a cosmic love drama, set to a lush production with synths that shine like gemstones. TWICE, “I CAN’T STOP ME” (Eyes Wide Open). The giddy strings play a riff straight out of a cartoon jingle, and the nimbly strummed guitars put a pep to the band’s step. To get an idea of Stray Kids’ nascent but prolific career, look no further than the group’s two 2020 Korean albums: Go Live, released in June and consisting of 14 tracks, and the repackaged version, titled In Life, released three months later with eight new tracks. TXT, “Can’t You See Me” (The Dream Chapter: ETERNITY), On “Can’t You See Me,” TXT pull the dark undercurrent of their youthful whimsy out from under the bed. A delicate bridge with jazzy piano riffs leads to the high-energy final chorus, not unlike the instrumental interludes of a musical. The Songs and Albums That Defined K-Pop's Monumental Year in 2020 By Kat Moon December 11, 2020 12:59 PM EST It was the wrong year to be young and in love in 2020, but at least we had WOODZ to keep us company. You can unsubscribe at any time. Billboard Staff The group’s demeanor is as spartan as the icy beat, and they amplify their bratty voices to assert their flawlessness. The rising soloist had a fantastic year releasing music that’s entrenched between dreamy bedroom pop and R&B, but “I’m good at goodbyes” was particularly emblematic of 2020’s general mood; the soft vocals on “I’m good at goodbyes” mirrored the loneliness we were all feeling as a lost spring transitioned into a lonely summer. “Jazz Bar,” although less heavy on the rock influences, is the most transporting track on the album, with a simple melody and light piano chords that whisk you away to the dimmed corner of a jazz bar. The generous offering of 20 tracks spanning an hour and 14 minutes allowed listeners to digest and dissect its complexities as the world transitioned to a period of isolation and quarantine. The track is sleek and sultry, oozing with the Mamamoo vocalist’s distinct charisma as she sings in her low-toned, rounded voice over syncopated drum beats. If a good breakup song is one with lyrics that resonate, a great breakup song is one in which the artists unabashedly emote the pain contained within them. Such a shape-shifting track could easily teeter into messy territory, but the soloist makes the track both accessible and exciting with his sunny rap style and masterful triplet expertise. Besides “Zombie,” plenty of tracks on The Book of Us: The Demon boast memorably penetrating lyrics. The arrival of BLACKPINK’s first full-length album—so highly anticipated the project was simply titled The Album—was one of K-pop’s biggest news events in 2020. 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