En Liang Khong Features 10 September 2020 ArtReview. The Art of War, CEPA Gallery, Buffalo, New York. 1974, Camp Springs, MD) is known for investigating the invisible through the visible, with a wide-reaching approach that spans image making, sculpture, investigative journalism, writing, engineering, and numerous other disciplines. Portraits and Power: People, Politics, and Structures, Centro di Cultura Contemporanea Strozzina, Florence. Mourning, sadness, and fragility underlie Trevor Paglen’s exhibition Bloom, on show at Pace Gallery, London, until 10 November 2020. Deep-dive into Trevor Paglen's mind and process as the artist shares insight on the development of his new works in his multi-media exhibition Bloom at Pace in London. The MacArthur genius grant winner's solo exhibition at Pace Gallery in London looks at the weird, partial ways computers look back at us. The clandestine and the hidden are revealed in series such as The Black Sites, The Other Night Sky, and Limit Telephotography in which the limits of vision are … Installation view from Jean Dubuffet's 1969 exhibition at Pace Gallery, Simulacres. Collaboration with Greg Niemeyer, Mills College Art Museum, Oakland, California. Le 10 septembre dernier, Trevor Paglen ouvrait les portes de sa nouvelle exposition dans l'espace de la Pace Gallery à Londres. Traveled to: Miller Gallery, Carnegie Mellon University, Pittsburgh, Pennsylvania and the Colby College Museum of Art, Waterville, Maine. The Eight Climate: What Does Art Do,” 11th Gwangju Biennale, South Korea. Following on from exhibitions at the Barbican and at Prada in Milan and Paris, Paglen continues his analysis of contemporary socio-technical themes including facial recognition, AI, and concepts surrounding … Traveled to the KW Institute for Contemporary Art, Berlin May 2017–April 2018. WATCHED! Paglen's complex and pioneering work examines the systems and technologies that shape society. La livraison est disponible en tout temps | Nous joindre; Panier 0 produit Taking centre stage in the exhibition is The Standard Head, a large-scale reconstruction of the 1960’s mathematical model of a “standard head” by the pioneering researcher funded by the CIA, Woody Bledsoe. Kabir Jhala and . Schneider Museum of Art, Southern Oregon University, Ashland. Paglen has had numerous one-person exhibitions, including at the Museum of Contemporary Art San Diego (2019); Frankfurter Kunstverein, Frankfurt (2015); Eli & Edythe Broad Art Museum, Michigan State University, East Lansing (2015); Protocinema Istanbul (2013); Van Abbemuseum, Eindhoven, Netherlands (2013); and Vienna Secession (2010). Previous series have featured a National Security Agency's eavesdropping complex, an Israeli nuclear weapons facility and a secret CIA prison. Traveled to: Museum of Art, Architecture and Technology, Lisbon. Trevor Paglen: Opposing Geometries, Carnegie Museum of Art, Pittsburgh, Pennsylvania, September 4, 2020–March 14, 2021. The Electric Comma, V-A-C Foundation, Palazzo delle Zattere, Venice. Vivid renderings of blossoming flowers, which compose a centrepiece of the show alongside sculptures, drawings and digital components, may lead one to think otherwise, but that would be wrong. Available for sale from Pace Gallery, Trevor Paglen, A Standard Face (2020), Ink on paper, 65 × 52.1 × 3.8 cm Art in the Age of Truthiness, SITE Santa Fe. Fifty Years of Bay Area Art: The SECA Awards, San Francisco Museum of Modern Art. Trevor Paglen: Orbital Reflector, Nevada Museum of Art, Reno, April 29, 2016–May 12, 2019. Pace returns to its physical space with an exhibition of new works by American artist Trevor Paglen. POW!, California College of Arts and Crafts, San Francisco. Airlines and Sentiments and The Disasters feature lines of texts culled from datasets that AI developers employ to teach computer systems to analyse and emotionally interpret the content of online communications. (Catalogue) Traveled to: Cooper-Hewitt, National Design Museum, Governors Island, New York; Hammer Museum, Los Angeles; Grand Rapids Art Museum and Kendall College of Art Gallery, Michigan; Contemporary Arts Museum Houston; Southeastern Center for Contemporary Art , Winston-Salem, North Carolina; and Rhode Island School of Design, Providence. Paglen's complex and pioneering work examines the … Upon closer inspection, the colours separate, and individual lines of text pulled from email spam emerge from their abstraction. Le 10 septembre dernier, Trevor Paglen ouvrait les portes de sa nouvelle exposition dans l'espace de la Pace Gallery à Londres. Artists at Work, Cantor Arts Center, Stanford University, California. Paglen’s investigation into the epistemology of representation can be seen in his Symbology and Code Names series which utilize text, video, object, and image to explore questions surrounding military culture and language. Trevor Paglen, says: “It is wonderful to be joining Pace at this exciting moment in its evolution. Spectacle & Scaffolding: Contemporary Photography Muses Hierarchy, Turchin Center for the. 74 FRANKLIN STREET NEW YORK, NY 10013 Trevor Paglen: The Other Night Sky / MATRIX 225, Berkeley Art Museum & Pacific Film Archive, University of California, Berkeley, June 1–September 14, 2008. Close Encounters 2: Acts of Social Imagination, Nathan Cummings Foundation, New York. Share; Tweet; Advertisement. Après une rétrospective importante de Trevor Paglen au Smithsonian Amercian Art Museum de Washington DC, l’artiste américain a une actualité chargée en Europe pour cette rentrée 2019. CounterIntellegence, Justina M. Barnicke Gallery Hart House, University of Toronto. Walls Turned Sideways, Contemporary Arts Museum Houston. Art in the Age of Anxiety, Sharjah Art Foundation, United Arab Emirates, June 26–September 26, 2020. Moonlight – 50 Years of Photographing the Moon, Hasselblad Foundation, Göteborg, Sweden. Pace is pleased to return to its physical space with an exhibition of new works by American artist Trevor Paglen. As art spaces continue to grapple with visitor access in a post-COVID era, Paglen’s new work offers a new perspective on virtual engagement in the gallery space. How Much Fascism?, BAK basis voor actuele kunst, Utrecht, Netherlands. Imaginaries and Visions in the Age of Artificial Intelligence, Museo nazionale delle arti del XXI secolo, Rome. Available for sale from Pace Gallery, Trevor Paglen, Bloom (#79655d) (2020), Dye sublimation print, 51.4 × 68 × 3.8 cm Surveillance, Art & Photography, C/O Berlin. Trevor Paglen’s new show at London’s Pace Gallery, the Bloom Series, explores the themes of artificial intelligence, facial recognition, politics of images, and how computer systems interpret the complexity of life. Art in the Age of the Internet, 1989 to Today, Institute of Contemporary Art, Boston. The exhibition will travel to other institutions in the United States and … Collaborative platform presenting special projects, exhibitions, and site-specific installations by emerging and established artists. Covert Operations: Investigating the Known Unknowns, San Jose Museum of Art, California. In a complex body of work that encompasses sculpture, photography, drawings and digital practices like facial recognition technology and AI, Trevor Paglen interrogates the systems that underpin today’s society. Trevor Paglen: How Deep Is the Ocean, How High Is the Sky, Fotograf Gallery, Prague, October 6–November 4, 2017. Object Fictions, James Cohan Gallery, New York. Magical Consciousness, Arnolfini, Bristol, United Kingdom. Paglen’s new interactive live-stream work Octopus (2020) responds to the current moment where periods of isolation, distance, and limitations on travel impact the way society works, interacts with each other, and experiences art. 70-1/8" × 93-1/8" × 2" (178.1 cm × 236.5 cm × 5.1 cm), framed, 54" × 40-1/2" (137.2 cm × 102.9 cm) But after Covid-19 remade the world, the show had to change. (catalogue). Trevor Paglen: Inaugural Exhibition Solo Show, Officine Grandi Riparazioni, Turin, March 12–May 31, 2020. Dataesthetics Reloaded, Galerija Nova, Zagreb, Croatia. Home Land Security, Fort Winfield Scott at Langdon Court, Golden Gate National Recreation Area, San Francisco. National Gallery of Art, Washington, D.C. National Gallery of Victoria, Melbourne, Australia, The Nelson-Atkins Museum of Art, Kansas City, Missouri, The New School’s Art Collection, New York, RISD Museum, Rhode Island School of Design, Providence, Samuel P. Harn Museum of Art, University of Florida, Gainesville, San Francisco Museum of Modern Art, California. The website gave you … Employing a variety of disciplines throughout his oeuvre, from investigative journalism to scientific research, the exhibition will feature new sculptures, photographs, drawings and digital components that relate to corporate and state use of machine learning algorithms to monitor, extract value, and influence people’s lives. Still Revolution: Suspended in Time, CONTACT Toronto Photography Festival and the Museum of Contemporary Canadian Art, Toronto. And when you look into the dead soulless spaces of … Called ImageNet, the dataset is used to teach artificial intelligence systems how to classify images, and was developed at Princeton and Stanford Universities in 2009. By using this site, you consent to our use of cookies. Only the Paranoid Survive, Hudson Valley Center for Contemporary Art, Peekskill, New York. Dizziness, Navigating the Unknown, Kunsthaus Graz, Austria. The dataset for Distracted Drivers, for example, is a collection of images used to recognise if someone is distracted while driving by an AI system. Octopus (2020) allows visitors from across the globe to virtually experience the London exhibition through a live web portal connected to cameras placed in the gallery. He grew up on bases in the USA and Germany. Covert Operations: Investigating the Known Unknowns, Scottsdale Museum of Contemporary Art, Arizona. Exposed: Voyeurism, Surveillance and the Camera, Tate Modern, London; San Francisco Museum of Modern Art; and the Walker Art Center, Minneapolis, Minnesota. About Held both at 6 Burlington Gardens and online at pacegallery.com, Bloom explores Paglen’s central themes of artificial intelligence, the politics of images, facial recognition technologies, and alternative futures. Low Form. In February this year, Trevor Paglen thought he had finished preparing his exhibition, Bloom, showing at Pace Gallery in London (10 September–10 November 2020). What Keeps Mankind Alive?, 11th International Istanbul Biennial, Antrepo No.3, Turkey. The system that is in place is highly complex, but it has been simplified in order for the everyday person to use. 1996, University of California at Berkeley, B.A. Trevor Paglen, Bloom, runs at Pace Gallery, London, from 10 September to 10 November 2020. (catalogue). Unnamed Design, 4th Gwangju Design Biennale, South Korea. Paglen addresses how the work's themes of mortality, the fragility of life, and the vanity of worldly pleasures are a reaction and response to the current moment and the shared experiences from the COVID-19 pandemic. Trevor Paglen, says: “It is wonderful to be joining Pace at this exciting moment in its evolution. Deep-dive into Trevor Paglen's mind and process as the artist shares insight on the development of his new works in his multi-media exhibition Bloom at Pace in London. Trevor Paglen was born in 1974 at an Air Force base in Maryland where his father was an ophthalmologist. Age of Terror: Art since 9/11, Imperial War Museum, London. Available for sale from Pace Gallery, Trevor Paglen, The Model (Personality) (2020), Silver-plated bronze, 18.4 × 18.1 × 13.7 cm The World As Prison?, Museo nazionale delle arti del XXI secolo, Rome. Nina Beier, Judith Hopf, John Miller, Trevor Paglen, Halsey McKey Gallery, East Hampton, New York. Among his chief concerns are learning how to see the historical moment we live in and developing the means to imagine alternative futures. Pictures and details of Trevor Paglen: Bloom at Pace, Burlington Gardens, London, September 10 – November 10, 2020 – Contemporary art with installation views The Image of War, Bonniers Konsthall, Stockholm. Necessary Force: Art in the Police State, University of New Mexico Art Museum, Albuquerque. Trevor Paglen: Bloom / Pace Gallery / London / reviewed by Katie Smith A computer functions on far more than a click of a few buttons. [Control] No Control, 7th Triennale der Photographie Hamburg, Hamburger Kunsthalle. In the Private Eye, ISE Cultural Foundation, New York. Pace London is pleased to return to its physical space with an exhibition of new works by American artist Trevor Paglen. The Big Nothing: A Void, Philadelphia Institute of Contemporary Art, Pennsylvania. To See Without Being Seen: Contemporary Art and Drone Warfare, Mildred Lane Kemper Art Museum, Washington University, St. Louis, Missouri. https://artisalive.co.uk/2020/09/02/trevor-paglen-at-pace-gallery Based in a process of elimination and manipulation rather than accumulation, this series of drawings is the result of the artist’s meticulous interventions in the weave of metal screen fragments, which are coated in ink and pressed onto paper. Artists Address Global Warming, The Andy Warhol Museum, Pittsburgh, Pennsylvania. Based in a process of elimination and manipulation rather than accumulation, this series of drawings is the result of the artist’s meticulous interventions in the weave of metal screen fragments, which are coated in ink and pressed onto paper. Kate Crawford | Trevor Paglen: Training Humans, Osservatorio Fondazione Prada, Milan. Trevor Paglen: Machine Visions, Museo Tamayo, Mexico City, June 28–September 30, 2018. Digital Archives, Kunstverein Hannover, Germany. Dallas Contemporary Presents "Paolo Roversi: Birds", Sam Gilliam's Latest: A Roundtable Conversation, Barbican Presents "Jean Dubuffet: Brutal Beauty", Elmgreen & Dragset's "The Hive" at the Moynihan Train Hall, 48" × 60" (121.9 cm × 152.4 cm), Edition 4 of 5 + 2 APs, 69" × 92" (175.3 cm × 233.7 cm) Pictures and details of Trevor Paglen: Bloom at Pace, Burlington Gardens, London, September 10 - November 10, 2020 - Contemporary art with installation views Trevor Paglen: Bloom +44 20 3206 7600 Open: temporary closure 61-1/8" × 61-1/8" × 2-3/8" (155.3 cm × 155.3 cm × 6 cm), framed, 18" × 18" (45.7 cm × 45.7 cm) A mid-career survey in 2018–2019, Trevor Paglen: Sites Unseen, was a traveling exhibition shown at the Smithsonian American Art Museum in Washington DC and Museum of Contemporary Art San Diego. California Invitational, Museum of Photographic Arts, San Diego. Universal Code, The Power Plant, Toronto. Trevor Paglen, Protocinema, Istanbul, September 12–October 25, 2013. A Universe We Can Believe In, Oliver Art Center, California College of the Arts, Oakland. Ansel Adams in Our Time, Museum of Fine Arts, Boston. (catalogue). A Historic Occasion, Massachusetts Museum of Contemporary Art, North Adams. Will and Be Going To, Altman Siegel, San Francisco. ImageNet Roulette is an interactive artwork that classifies people’s digitally-captured portraits according to one of the most widely-used datasets used for training and evaluating computer vision systems. Schritte ins Verborgene = Steps into the arcane, Kunstmuseum Thrugau, Warth, Switzerland. Through image making, sculpture, investigative journalism, writing and more, he reveals the darker underpinnings of the digital landscape – from mass surveillance to data collection and AI. (catalogue). (catalogue). Berkeley Big Bang 08, Berkeley Art Museum and Pacific Film Archive, University of California, Berkeley. Together, the works in the exhibition recall the “Vanitas” tradition in art, in which symbolic objects such as skulls, flowers and books remind us of mortality, the fragility of life, and the vanity of worldly pleasures. In a series of pen-on-paper drawings, Paglen shows how complex images are “abstracted” into much simpler versions in computer vision systems, drawing parallels between computer vision systems and Constructivist and Cubist ways of seeing. Vortexhibition Polyphonica, Henry Art Museum, University of Washington, Seattle. Trevor Paglen: Bloom / Pace Gallery / London / reviewed by Katie Smith. Held both at 6 Burlington Gardens in London and online, Bloom explores Paglen’s central themes of artificial intelligence, the politics of images, facial recognition technologies, and alternative futures. Nous ne notons pas les fleurs, dit le géographe, Bétonsalon - Centre d'art et de recherche, Paris. FEEDFORWARD - The Angel of History, Laboral Art Center, Gijon, Spain. Expanding Narratives, Smart Museum of Art, University of Chicago. Available for sale from Pace Gallery, Trevor Paglen, AC (2020), Pigment on textile, 49.8 × 49.8 × 3.8 cm Watching the Earth from the Universe, Mori Art Museum, Tokyo. Nothing Stable Under Heaven, San Francisco Museum of Modern Art. Secret Satellites, Belfast Exposed, Ireland. Surveying the Terrain, Contemporary Art Museum of Raleigh, North Carolina. Kristen Knupp interviewed American artist Trevor Paglen at Pace Gallery, Geneva, for his exhibition “The Shape of Clouds” which opened on September 3, 2019. On Watching and Being Seen, Northern Illinois University Art Museum, DeKalb, Illinois. A Different Kind of Order: The ICP Triennial, International Center of Photography, New York. Trevor Paglen, Bellwether Gallery, New York. Pace will work in cooperation with Paglen’s American galleries, Metro Pictures, New York, and Altman Siegel, San Francisco, together offering a comprehensive global network through which to maximize exhibition opportunities and exposure for Paglen’s … The project is a provocation, acting as a window into some of the racist, misogynistic, cruel, non-scientific, controversial, and simply absurd categorisations embedded within ImageNet and other training sets that AI models are built upon. The colours and shapes in the images represent similar areas that the AI has detected in learning from other images of flowers. Available for sale from Pace Gallery, Trevor Paglen, We... (2020), Pigment print on archival paper, 185.9 × 145.3 × 6.5 cm Stars: Cosmic art from 1900 to today, Lentos Kunstmuseum Linz, Austria. Polyphonic Worlds: Justice as Medium, Contour Biennale 8, Nona Arts Centre, Mechelen, Belgium. A former prison-rights activist, Paglen's photographs often depict classified military activity. Anytime Anywhere Everything, Galerie Sprüth Magers, Berlin. The Value of Freedom, Belvedere 21, Vienna. The world has become too complex and too fragmented for any human to fully comprehend it. Trevor Paglen: Autonomy Cube, Tensta Konsthall, Spånga, Sweden, February 1–May 7, 2017. Plug and Play, Artswatch, Louisville, Kentucky. To 10 November 2020 world, the Show had to change nous ne notons les. - Centre d'art Santa Mònica, Barcelona Henry Art Museum, London place is highly complex, but it been! This simplification means that the AI has detected in learning from other images of flowers 10, 2020 &... Architecture and Design, Oslo septembre dernier, trevor Paglen, Altman Siegel, San Francisco Hartford. State, University of California, Berkeley Art Museum, Jerusalem Variations, d'art. 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