They gave me a motorbike and l drove around town checking on new buildings”), but his life changed the day that he stopped off at a friend’s house to discover that his father had acquired a large collection of instruments, that he had once played in a local Salvation Army band. [6] Teddy Osei, who refuted the reports said in an interview with Let’s Talk Entertainment (LTE) on JoyNews on MultiTV, the group took care of Kiki, who joined the band at age 18, until his death in 2004.[7]. Rhythm Guitar M S. Solo Guitar M S. Drums M S. View all instruments. Teddy was joined in North Africa by two other Ghanaians, both of whom had worked with him in The Comets: his brother Mac Tontoh, who played trumpet, and drummer Sol Amarifo. [3] The name Osibisa was described in lyrics, album notes and interviews as meaning "criss-cross rhythms that explode with happiness" but it actually comes from " osibisaba " the Fante word for highlife. He and his friend “started messing around with them” and went on To form a band, with Teddy at first playing drums, and Then switching to saxophone after Their sax player failed To Turn up for rehearsals. Sunshine Day bass tab by Osibisa. Richardson left in 1972 and returned in 1975 and henceforth "Welcome Home" and "Sunshine Day". Even the melodies take bits of rhythm & blues and modern rock and affix them to the accompanying percussion beats to come up with a contemporary feel with an avant-garde atmosphere. The Osibisa mix of what they called “criss-cross rhythms that explode with happiness” naturally included Highlife influences from Osei’s homeland of Ghana, along with jazz, rock, calypso and other Western Indian Styles, along with a dash of disco and unashamed pop. Osibisa combined the horns of Chicago with the rhythms of Santana, adding an African sound into the mix. They wrote their own songs, and found that their new musical style appealed to young rock fans “so we started playing on the London underground rock scene, playing at clubs in Soho and supporting rock bonds at venues like the Marquee. -Robin Denselow on Osibisa – London, April 2009. The Osibisa mix of what they called “criss-cross rhythms that explode with happiness” naturally included Highlife influences from Osei’s homeland of Ghana, along with jazz, rock, calypso and other Western Indian Styles, along with a dash of disco and unashamed pop. Osibisa were the most successful and longest lived of the African-heritage bands in London, alongside such contemporaries as Assagai, Chris McGregor's Brotherhood of Breath, Demon Fuzz, and Noir, and were largely responsible for the establishment of world music as a marketable genre. The new band were influenced by Highlife and those “criss-cross rhythms” from their homeland, but their new fusion style also included a dash of calypso “which was very big in Ghana”, along with rock guitar solos, and the jazz influences in Teddy and Mac’s brass work. Playing on the original flying elephants theme, the Ultimate Collection set features elephants with tank turrets for heads. Author Neckwringer [a] 140,551. The revitalised band remains active, although Osei has cut back his touring schedule due to the effects of a stroke. The name “Osibisa” derives from osibisaba – the Fante word for a proto-highlife African rhythm. The band kept going, and they are still going, 40 years on, with a repertoire of very different songs, and an incredible history to look back on. 478 views, added to favorites 2 times. Rhythm, in music, the placement of sounds in time, generally considered as an ordered alternation of contrasting elements. Osibisa: criss-cross rhythms live in the early to mid 1970s Osibisa is Ghanian for…'criss-cross rhythms that explode with happiness'. Osibisa's self-titled album opened up their unique blend of African and Western styled music to a wider audience, charting in both the U.S. and Europe. Osibisa discography and songs: Music profile for Osibisa, formed 1969. Osibirock features "Negro Attacked by a Jaguar" (1910) by Henri Rousseau. The original line-up consisted of Teddy Osei (saxophone, flute, and vocals), Mac Tontoh (trumpet and background vocals), Sol Amarfio (drums and backing vocals), all three from Ghana, Loughty Lassisi Amao (congas, percussion, and horns), from Nigeria, Robert Bailey (keyboards), from Trinidad, Spartacus R (bass), from Grenada, and Wendell Richardson (lead guitar and vocals) from Antigua; together they were also known as "the beautiful seven". If I’m your friend and I’m into some form of immorality and you watch me go on with it till I crush, that is a form of betrayal! Rhythm 0 (1974) was a six-hour work of performance art by Yugoslav artist Marina Abramović in Studio Morra, Naples. Joining them in the first incarnation were Grenadian Spartacus R (bass); Trinidadian Robert Bailey (keyboard); Antiguan Wendell Richardson (lead guitar and lead vocalist); and Nigerians Mike Odumosu and Fred Coker (bass guitar) and Lasisi Amao (percussionist and tenor saxophone). Bailey was replaced by Kiki Gyan before "Sunshine Day"′s release. There were, he remembers “not many Africans in London at that time- it was mostly West Indians – and it wasn’t easy finding work”. See more ideas about best song ever, youtube, kule. Acting presented few opportunities “because as an African I was only being offered little roles, like playing a servant” so he decided to become a full-time musician. Fela Kuti, who would later become Nigeria’s greatest star, was in London at the same time, also studying music, and Teddy remembers “he was doing the same as me. Jun 13, 2018 - Explore Frederick Reed's board "OSIBISA" on Pinterest. Get the best deals on Osibisa Lp when you shop the largest online selection at eBay.com. Barry Manilow. This title is a cover of Sunshine Day as made famous by Osibisa ... New York City Rhythm. Vocal Backing Track MP3 $1.99. Add to playlist. In 2009, their Osee Yee album featured the flying elephants once more, this time painted by Freyja Dean (Dean's daughter). The triad of Osei, Amao and Tontoh create sinister flares of brass that either add an ominous tone or make the music as joyous as they boast on the opening track. They were a band who could hold their own alongside the rock stars of the era, supporting the Rolling Stones or Pink Floyd (whom Osei delightedly remembers for a show at the Roundhouse in London where they were “frying eggs on stage, to mix in with their sound – it was incredible!”). But he managed to get a job washing dishes at the Grosvenor House Hotel in Park Lane (“The posh one!”) and was delighted to learn that his country’s first President, the left-wing Kwame Nkrumah, had done exactly the same thing when he had been a young student in London. Genres: Afro-Rock, Jazz-Rock, Afro-Funk. Every song on this CD sings to the soul. lt was, he remembers “a time when young people had more of an international outlook than they have now. Albums include Osibisa, Wɔyaya, and A Monstrous … They were formed nearly two decades before the term ‘world music’ was invented, but their leader Teddy Osei can rightly claim that they opened the way for the global fusion scene, and for the success of later African stars, from Youssou N’Dour to Salif Keita. Roger Dean's logo for the band continues to be used on every release. He found that “being back on African soil after so many years away meant that more African ideas and songs started coming into the music”, and when the trio returned to London they set about recruiting a new bond to put their ideas into practice. Osibisa. The name Osibisa was described in lyrics, album notes and interviews as meaning "criss-cross rhythms that explode with happiness" but it actually comes from "osibisaba" the Fante word for highlife. In the 1990s their music was widely anthologised in many CD collections, most of them unauthorised and paying no royalties whatsoever to the band. ln the first Osibisa line-up they were joined by a Nigerian percussionist and three West lndians, including the rock-influenced guitarist Wendell Richardson. The Dizzy Gillespie Afro Latin Experience. Osibisa were among the first Afro-Pop bands to cross over to European and American audiences in the early 1970s. Issued in 1997 CD format by Red Steel Music Ltd. RMC 0208. They were one of the most experimental bands of that decade of experimental music, the Seventies, because – as this timely new collection shows— their highly original style made use of a whole range of different influences. Add to playlist. English rock band formed in London in 1969. That was another betrayal”. In Ghana in the 1950s, Teddy Osei (saxophone), Sol Amarfio (drums), Mamon Shareef, and Farhan Freere (flute) played in a highlife band called The Star Gazers. This is what makes the 7os so rich and memorable. This compilation, with songs specially chosen by Teddy, tells their remarkable story. View credits, reviews, tracks and shop for the 1975 Gatefold Vinyl release of Welcome Home on Discogs. Osibisa were ahead of their time. Osibisa feature in Prog Magazine issue 116 which is available from all good booksellers and supermarkets from the last day of 2020, Thursday December 31st. Edit. Free shipping on many items | Browse your favorite brands | affordable prices. Teddy’s band mixed their Highlife with jazz and with a variety of Western styles, because, he explains, “There were many ex-patriots from England or Germany in Ghana in The late Fifties, in the period just after independence, and they wanted to hear quicksteps, waltzes or foxtrots”. And, Gandhiji would have loved Osibisa's rendition of his favourite bhajan, ‘Raghupati Raghava Raja Ram.' In 1980 Osibisa performed at a special Zimbabwean independence celebration, and in 1983 were filmed onstage at the Marquee Club in London. He also had the chance to work with Kiki Gyan a few days before his death. The band succeeded because they were enthusiastic, original, and exciting. Nkrumah was keen to promote his country’s culture, and after he had spent 2 years in London, Teddy was offered a scholarship by the new Ghanaian government, so he could study music full Time. No matter. Osibisa is a British Afro-pop band, founded in London in 1969 by four expatriate African and three Caribbean musicians. Life wasn’t easy. Osibisa is the merger of African rhythms with a Santana style of jazz fusion and a horn section that makes you think Chicago without the trombone. Opener "Dawn", which begins with the immortal translation of Osibisa, builds on a rhythm of percussion until giving way to let the individual soloist bring the song to a rousing conclusion - some seven and a half minutes later. It was here that Osibisa was born. The band were semi-professional, but they “had 5 or 6 hit singles in Highlife, in our own language”, mostly recorded at a radio station that then boasted the best studio in the country, and they developed a following right across West Africa. Learn how and when to remove this template message, Black Magic Night: Live at the Royal Festival Hall, Sounds Like London: 100 Years of Black Music in the Capital, "2006 seminars at Musical Workshop Labyrinth, Crete, Greece", "Ghana Base dot Com | The Ghanaian Highlife Music Story", "Osibisa Betrayed My Dad - Kiki Gyans Daughter", "We "took care of Kiki Gyan even after he left" Osibisa", "Osibisa Founder, Teddy Osei's Last Tribute To Mac Tontoh", "The Official OSIBISA Website – Colin Graham profile", "Abdul Lasisi Amao | Biography & History | AllMusic", https://en.wikipedia.org/w/index.php?title=Osibisa&oldid=1000417365, Articles needing additional references from December 2010, All articles needing additional references, Articles with unsourced statements from August 2018, Wikipedia articles with MusicBrainz identifiers, Wikipedia articles with WORLDCATID identifiers, Creative Commons Attribution-ShareAlike License, O, O-S-I-B-I-S-A, Osi Bisa, Osibisi, Osibissa, オシビサ, This page was last edited on 15 January 2021, at 00:59. 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